Sharing Music Memories

Klassic Haus Conversations


Wednesday, May 31st, 2017

Hi all,

It’s been quite some time now since I’ve posted here, but I’m still here!

I am having some difficulty with RVSitebuilder, as an update recently made the KH site uneditable. I’m considering moving my site to a WordPress-based site, as I just can’t do anything with my website right now.

I appreciate everyone’s patience, as I work through this setback. I have some very exciting posts ready, once I can create a site that I can work on!

PS: I am also a radio annoucer on Classical KUCO-FM, based on the University of Central Oklahoma campus in Edmond, OK. I’m on the air from 12 noon to 3 P.M. CST. We broadcast classical music and more 24/7: http://www.kucofm.com

Curt Timmons

Klassic Haus Restorations

Monday, March 26th, 2012

KHCD-2012-008 (STEREO) – Bruckner: Complete Organ Works; Mendelssohn: 3 Preludes and Fugues, Op. 37 – Heinz Lohmann on the Klais Organ of the Jesuitenkirche, Mannheim – Authoritative  readings of the Bruckner organ works, dating primarily from his early compositional study days (1837-1846, 1852-1861) and one Prelude from 1884. The three Mendelssohn Preludes and  Fugues from 1837 are also expertly presented, in a very reverberant recording from an RBM LP. A complete listing of the organ’s disposition is listed on the CD inside cover.

Click here for an MP3 sample of this rare LP restoration, found only on Klassic Haus Restorations.

Cheers – Curt Timmons

Monday, March 26th, 2012

KHCD-2012-006 (STEREO) – Franz Berwald: Symphony capricieuse (Symphony No. 2 in D) – Stockholm Philharmonic Orchestra /Antal Dorati – Hugo Alfvén: Symphony No. 2 in D, Op. 11- Stockholm Philharmonic Orchestra/Leif Segerstam – Berwald was a Swedish Romantic composer who was generally ignored during his lifetime. He made his living as an orthopedic surgeon and later as the manager of a saw mill and glass factory. His music is inventive, sometimes playful, occasionally quirky, always enjoyable. The Symphony No. 2 was not premiered until 1914.  Alfvén’s Symphony No. 2 from 1899 established him as a serious composer of note in Sweden. The Berwald is derived from a European pressing RCA Victrola LP; the Alfvén is from a Swedish Society Discophil disc, both in near-mint condition.

Click here for an MP3 sample of this CD, available on Klassic Haus Restorations.

Cheers – Curt Timmons

Monday, March 26th, 2012

KHCD-2012-005 (STEREO) – Beethoven: Symphony No. 5 in c minor, Op. 67; Symphony No. 8 in F, Op. 93 – Philadelphia Orchestra/Eugene Ormandy – Ormandy’s recordings were mostly ignored during the rush to reissue recordings onto CD during the late 80s/early 90s. Two Columbia/Sony CD sets were briefly available, but soon pulled from the catalogue. This LP transfer offers a more authentic “vinyl” experience (minus the clicks!), much warmer in soundstage  than the clinical 90s digital remasterings. The Philadelphia Orchestra is unmatched in sonority these “big band” Beethoven performances, worthy mates to other recordings utilizing large orchestras.

Click here for an MP3 sample of this classic Philadelphia Orchestra recording, available on Klassic Haus Restorations.

Cheers – Curt Timmons

Monday, March 26th, 2012

KHCD-2012-004 (1958 & 1976 STEREO) – Berlioz: Symphonie Funèbre et Triomphale, Op. 15 (H 80, 1st and 2nd versions)) – Recordings from 1958 & 1976 by Musique des Gardiens de la Paix de Paris/Chorale Populaire de Paris (in the 1958 recording)/Désiré Dondeyne, conductor (First time release together on CD) –  Historic, idiomatic performances of  Berlioz’s wind band symphony, in recordings considered definitive by many wind band enthusiasts. Recorded both times (1958 &1976) in the spacious acoustic of l’énglise Notre-Dame du Liban á Paris, the Musique des Gardiens de la Paix de Paris offer a unique timbre so well suited to the ceremonial and celebratory atmosphere this music demands. Both the 1st and second versions are offered on this disc; the MP3 sample offers a taste of the last movement with and without chorus. A must-have CD for any wind ensemble recording collector.

Click here for an MP3 sample of this one-of-a-kind CD of Berlioz’s Symphonie Funèbre et Triomphale, available on Klassic Haus Restorations.

Cheers – Curt Timmons

Monday, March 26th, 2012

KHCD-2012-003 (MONO) – Berlioz: Les francs-juges, Overture, Op. 3; Intrata di Rob Roy MacGregor ; Béatrice et Bénédict Overture ; Le roi Lear Overture, Op. 4 – Philharmonic Promenade Orchestra of London/Sir Adrian Boult; Symphonie Funèbre et Triomphale, Op. 15 (H 80) – Wiener Kammerchor/Vienna State Opera Orchestra/Ernest Graf – One doesn’t usually associated Sir Adrian Boult as a Berlioz conductor, but these performances of four Berlioz overtures soon dispel that notion. Taped originally by Nixa, licensed to Westminster, these are exciting performances, very well recorded. The rarely performed Symphonie Funèbre et Triomphale was the result of  a commission by the French government to Berlioz in 1840, to write a piece in celebration of the Revolution of July 1830, to accompany the transfer of remains of fifty victims of the Revolution to the Place de la Bastille. This performance, decidedly Teutonic in approach regarding tempi and demeanor, nevertheless is a spectacular rendition in good mono sound. This transcribed Urania recording uses the second version of the score, modified by Berlioz for a separate concert held in August 1840 which utilizes strings (in a subtle manner) as well as the original large wind band scoring, with a chorus singing words written by Antoni Deschamps in the final movement.

Click here for an MP3 sample of this rare collection of music by Berlioz, available on Klassic Haus Restorations.

Cheers – Curt Timmons

Monday, March 26th, 2012

KHCD-2012-002 (MONO) – Respighi: Pines of Rome (1923-24); Fountains of Rome (1916); Tchaikovsky : “1812” Overture, Op 49 (original scoring) – Minneapolis Symphony Orchestra/Antal Dorati – Magnificent mono recordings from 1953/1954, still hard to beat in terms of sheer visceral sound and never-to-be repeated performances. The unique sound of the Minneapolis Symphony under Antal Dorati exposed many a budding music enthusiast to the world of classical repertoire, not soon to be forgotten. Derived from two mint Mercury LPs with FR matrices, these continue to be benchmark recordings.

Click here for an MP3 sample of this classic mono spectacular, available in Klassic Haus Restorations.

Cheers – Curt Timmons

Monday, March 26th, 2012

KHCD-2012-001 (STEREO) – Telemann: Ouverture in D for Trumpet, Oboe, Strings and Continuo (1733) – Maurice André, trumpet; Pierre Pierlot, oboe; Jean-Pierre Wallez & Nicole Laroque, violins; Annette Queille, viola; Henri Martinerie, ‘cello; Laurence Boulay, harpsichord; Vivaldi: Concerto for 2 Horns, Strings and Continuo, RV. 539 (P. 321); Concerto in F for 2 Horns, Strings and Continuo, RV 538 (P. 320) – Georges Barboteu, Gilbert Coursier, horns; Henri Martinerie, ‘cello; Laurence Boulay, harpsichord – Collegium Musicum of Paris – Roland Douatte, conductor – The three works on this CD have in common the splendid sound of 18th century Baroque brass; a trumpet in the Telemann Ouverture, and two valveless French horns in the Vivaldi concerti. Transcribed from a near-mint Nonesuch disc, it is a wonderfully satisfying foray into the soundscape of Baroque brass.

Click here for an MP3 sample of this great Baroque brass disc, found only on Klassic Haus Restorations.

Cheers – Curt Timmons

 

Monday, March 26th, 2012

KHCD-2012-019 (STEREO) – Havergal Brian: Symphony No. 22 “Symphonia brevis”; Psalm 23 (Paul Taylor, tenor; Brighton Festival Chorus) – Leicestershire Schools Symphony Orchestra/Lazlo Heltay; English Suite No. 5 “Rustic Scenes” – Leicestershire Schools Symphony Orchestra/Eric Pinkett – Companion disc to KHCD-2012-018, recorded by CBS (UK) in 1974. The “Symphonia brevis”, consisting of two brief movements plus epilogue, characteristically kaleidoscopic in approach, is one of Brian’s most enjoyable later works. The Psalm 23 is relatively short, yet expansive, and a remarkable example of early 20th century choral music. The Rustic Suite is surprisingly tuneful, especially for Brian, lightweight yet memorable. The Leicestershire Schools Symphony Orchestra plays with discipline and commitment; the Psalm 23 receives a most effective performance, joined with the Brighton Festival Chorus and the fine tenor Paul Taylor. A must-have for the Brian collector, and a fine addition to any collection of 20th Century English music. Transcription of the CBS LP was by John Whitmore (former member of the LSSO). I performed the digital remastering with little intervention to the original source material.

Click here for an MP3 sample of this historic recording, available only on Klassic Haus Restorations.

One’s musical journey through life crosses paths with others on the same journey, though perhaps not coming from the same direction. Sometimes, a collaboration from this meeting at the crossroads will develop, leading to a mutual sharing of goals with a larger audience. In this case, the collaboration that developed between a member of the Havergal Brian Society and myself initially through my website has borne fruit that, hopefully, will reach not only the appreciative group of the Society, but extend out toward those who will find great reward in the music presented. In this case, we have before us the restorations I have prepared of two LPs of Havergal Brian’s music, his Symphonies No. 10, 21 and 22, along with the setting of Psalm 23, and the English Suite No.5, performed by the Leicestershire Schools Symphony Orchestra.  John Whitmore had contacted me initially via email in late December 2011 when he had come across my website, Klassic Haus Restorations, asking if I could make available some of my titles as MP3 downloads. I started Klassic Haus in August 2010 with the goal of reissuing out-of-print historic and special interest classical LPs and reel-to-reel tapes on CD. John gave me the impetus to offer MP3 downloads. In passing, he had asked if I had any interest in Havergal Brian’s work. I said I did, very much so, and had owned at one time as many LPs of his music I could find in the US. I also had a reel tape copy of the 1980 Ole Schmidt/LSO “Gothic” which I lost during a move cross country. John forwarded me web links to the LSSO LPs that are the subject of this restoration, and also put me in touch with Johan Herrenberg of Delft, Netherlands, who graciously provided me with a list of other recommended Brian recordings which I have already sought out. From this point on, I became involved in restoring the remarkable recorded documents of the LSSO. The LPs John transcribed were in excellent condition, requiring minimal click removal, while preserving the analogue ambience of the recordings by Unicorn in 1972 (Symphony No. 10 & 21) and CBS in 1974 (Symphony No. 22, Psalm 23, and the English Suite No.5). Many of you probably know the genesis of these recordings, so I will not belabor the point here. Suffice to say, I am honored to have worked on this project and I hope those who cherish this music will be pleased with the results. Havergal Brian’s music deserves a larger audience, and the restoration of these recordings will hopefully help preserve his musical legacy.

– Curt Timmons, owner/producer, Klassic Haus Restorations

Monday, March 26th, 2012

KHCD-2012-018 (STEREO) – Havergal Brian: Symphony No. 10 (conducted by James Loughran); Symphony No. 21 (conducted by Eric Pinkett) – Leicestershire Schools Symphony Orchestra – Historically significant recordings made in 1972 by the UK independent label Unicorn. The original LP release in 1973 was considered by some critics as the most significant classical release of that time in the UK. The Symphony No. 10 on this disc was a first recording for that work. Havergal Brian’s music at the time was woefully neglected, with few commercial recordings made of his music. He was the last of the generation of English composers, following the lineage of  Vaughan Williams, Holst, Bridge, and Ireland. His musical language was wholly unique,  peer to Elgar, Mahler, Nielsen and Sibelius. The music on this CD is possibly some of the most approachable of Brian’s vast catalogue of compositions. The remarkable Leicestershire Schools Symphony Orchestra play with commitment and surprising polish. This disc is self-recommending to any Brian enthusiast, and a great introduction to anyone interested in 20th century English music who may be unfamiliar with this most creative musical mind of unusual power. The excellent transcription of the Unicorn LP was by John Whitmore (former member of the LSSO). I performed the digital remastering with little intervention to  the original source material.

Click here to hear an MP3 sample of this historic recording, found only on Klassic Haus Restorations.

Cheers -Curt Timmons